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ROMANIAN ETHNOGRAPHY |
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Romanian Popular / Folk costume
Woman’s costume – Dobroudja
Woman’s costumes with their zonal variants are distinguished by the garb covering the body from the waist downwards: the two-homesput skirt costume worn almost throughout Transylvania except its western areas, in the south of Oltenia, Wallachia and Dobrougea, the wraparound costume characteristic of the whole of Moldavia and the northern areas of Wallachia and the south-east of Transilvania and the woolen pleated skirt spread out in the north of Oltenia. In Banat the two fringe apron costume for young girls who after marriage give up the front polychromatic fringes to take aver a homespun skirt. The bonnet in the Banat and the black or embellished-with-silk flowers. Man ’s costume has almost the same structure. By Blioju Cezara, Parang Alexandru, Cana Cristina and Zaharia Elena
Romanian Ceramics
Romanian Popular / Folk costume
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From Vama Veche My husband s grand mothers |
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Pipes and old ceramic bowl From Vama Veche |
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Wine or water Jug From Vama veche |
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Marama |
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BELT |
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Romanian blouse |


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IZA VALLEY CERAMICS |
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HOREZU CERAMICS |
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TRANSYLVANIA CERAMICS |
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TEXTILES From Moldavia or Bihor, two regions it is interesting the chromatic range and for northen Moldavia, Bucovia and Oltenia it is important to have the tree of life right in the middle.
By Caraman Bianca and Gaita Diana |
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RUG -WEAVING TOOL |
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HAND CRAFT with floral motives |

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Detail hand craft with floral motives |
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HAND CRAFT towel |
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Detail hand craft towel |

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DISH CERAMIC FOR COOKING |
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OLD GAS LAMP—Vama Veche by Petre Dan and Preda Georgiana |
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By Dima Cosmina and Dulugea Monica |
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By Vasilescu Cristina and Preda Georgiana |
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By Cristian Stefania and Bucur Cosmina |
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By Gache Alexandru, Glinta Razvan and Padeanu Ionela |
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SKIRT |
















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Woman’s costume Maramures |
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Woman’s costume Mehedinti |
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Woman’s costume Vrancea |
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The ceramics of the Iza Valley made through the technique of scratch-working floral and phytomorphyc motifs, alongside with the Kuty ceramics, provided by Armenians who took refuge to Galicia out of Moldova, reveals the same Byzantine roots. The geometry characteristic of our pottery is best illustrated by Horezu-Valcea vessels adorned by the help of the tools specific of this. By Dragomir Gabriela and Papaiani Teodora |